Thursday, May 29, 2008

Knock (Or At Least Ring The Bloody Bell) And Ye Shall Enter!

What is it with people and locked doors?

At the service station where I put in an occasional appearance behind the counter, we have a security policy that requires the front door to be locked for the overnight shifts. This means that customers wishing to enter the store must be admitted by the console operator on duty; and if the operator isn't immediately available, there's a bell the customers can push to attract their attention.

So...picture the scene at night. The door is locked. A customer has just filled up with petrol and is approaching the store to make payment. The operator (Yours Truly) is out of sight stacking the shelves. The customer encounters the locked door. Do they ring the bell to get my attention? Do they read the sign on the door asking them to ring the bell if the door is locked?

I wish! No, upon encountering the locked door and realising that it's locked, customers decide that the best method of getting my attention is to yank harder on the door. And not only do they pull harder on the door in their attempts to open it, they also try to push it open with as much vigour. The result is that my attention is not attracted by the sound of the bell, it's drawn by the screeching of the shop door as its being yanked fairly off its hinges!

So I ask again: what is it with people and locked doors? Why don't they realise that if the door is locked, trying to force it open is not a viable option? And why do they never see the sign on the door asking them to ring the bell if the door is locked? Honestly, it's the architectural equivalent of thinking that speaking IN A SLOW AND LOUD VOICE will magically enable foreigners to understand English!

Mind you, I don't know why I am so surprised, as this is a familiar phenomenon to me. When I worked in the CBD, I was in an office which had locked front doors (partially as a consequence of the nature of the work; partially because of the not infrequent depredations of the local squatters). It also featured a sign (right next to the door handle) asking people to ring the bell to get the attention of staff. But did it make a blind bit of difference? Not likely! People still pushed and pulled the door with all their vim and vigour, as if their lives depended on it!

I sometimes wonder whether or not being in a public place makes the average citizen a complete bonehead. It's like another phenomenon I've observed, especially in cinemas and theatres and the like, wherein people insist on gathering in large, obstructive groups right in the middle of the doorway. Maybe it's some kind of environmental gene that switches on and renders the possessor thereof unable to do anything other than the one thing that will cause maximum inconvenience to others. Likewise with the locked door; maybe some malevolent DNA strand whispers in their biochemical ear and says: Okay, Joe: this is the bit where you leave your brains in the car. That's a locked door up ahead; just ignore the sign asking you to behave rationally, and instead yank on the damned thing like a demented idiot.

Sigh...maybe I should just resign myself to the proposition that it's an inevitable aspect of human psychology that, when confronted by the unexpected, people will insist on trying to make the expected occur, instead of rationally assessing the situation and responding to it on its own terms. Or maybe the simple, brutal fact is that people are idiots.

Except me, of course. Anyone who maintains a blog must have their head screwed on right...

Talk to you soon,

BB

Quote for the Day: Logic is the art of getting it wrong with confidence. (Joseph Krutch)

Tuesday, May 20, 2008

I'm Now A (Self) Published Author!

Yes, that's right - I've decided to self-publish my first novel!

Hunting the Shadows is a psycho-thriller set in contemporary Melbourne, pitched against a backdrop of political machinations and personal corruption. Two damaged police officers have to find a dangerous serial sex offender who is stalking vulnerable women - all the while battling their own demons and trying to avoid the fallout from internal police politics and individual ambition.

I've published the book through Lulu, a well-known self-publishing business. You can purchase your own copy by clicking on the little icon on the right hand side.

So, please - help this struggling author and get the benefit of a great read!

Talk to you soon,

BB.

Quote for the Day: Authors are like uncaptured criminals: they're the only people free from routine. (Eric Linkletter)

Wednesday, May 07, 2008

Marvellous Manuscripts

My Dearly Beloved and I recently went to the State Library of Victoria to view the Medieval Manuscripts exhibition.

The hall in which the exhibition is staged isn't quite ideal for the purpose - a tad cramped, inclined to be stuffy, and the information signs were frequently too small or badly placed to read - but these minor inconveniences were easily overshadowed by the treasures within.

And what marvels they were! Beautifully rendered manuscripts, many of them illuminated with extraordinary illustrations, and characterised by the most astonishing penmanship. There were breviaries, lectionaries, hymnals, bestiaries, editions of Ptolemy and Livy and the Augustan History...a wonderful variety of precious manuscripts, created with exquisite care and painstaking attention to detail.

But for me, the two most captivating aspects were:
  1. The miniatures. These were pint-sized books that nonetheless were as embellished and beautiful as their larger counterparts. How extraordinary was the penmanship, line after line of tiny handwriting reproduced with disciplined and unwavering hands. The effort that creating these miniatures must have taken is almost incomprehensible - you can certainly understand how and why more than one scribe went blind creating these marvels.
  2. The hymnals. What was most intriguing about these were the musical notations: they were different and yet vaguely familiar as well. Certainly, you could identify the origins of the modern musical system, given the notations were set against the familiar five line stave. But the notations themselves lacked stems, meaning they were identifiable through their different shapes and whether or not they were solid or hollow. Also, the elaborate script that accompanied the music must have been hard to read, especially by candle light!

So if you're looking for a diverting hour or so wondering at the industry that produced these manuscripts, and admiring their sheer beauty, get along to the State Library. It's well worth it!

Talk to you soon,

BB.

Quote for the Day: The library: a sort of harem. (Ralph Waldo Emmerson)